Tag Archives: writing for children

31 Day Author Platform Challenge Day 6: Bio, Bio Everywhere

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[Before we start, have you followed 10 new people yet?]

It’s all about YOU!

Yesterday was a big-picture assessment of your homepage. Day 6 hones in on your Bio, which you need for your website as well as every social media platform you’ve got. Let’s make sure you are presenting the best possible version of yourself (that’s still truthful of course).

I sorta cheated on this task, since my home page right now is my bio page, and I worked on that yesterday. But I do need to revisit the bios I have on Twitter (oh, wow, noticed outdated info right away!) and Insta (how long has that link been broken?! Oh and did you know they now let you add FIVE links on your Insta profile?!). I bet you forgot about those platforms and were only thinking about your website! But they are ALL our brand, and they all have bios–even if just five words. I’ve culled bio tips other professionals (I searched the web so you don’t have to) and blended them with my own advice. For example, Leaders Press lists reasons WHY the bio is so important and offers some tips of their own. You need to have one! So today we create (or enhance) it.

First off, think about your audience. Who is reading this bio? Is it parents, past and potential buyers of your books? Specialists from schools and libraries considering whether to book you for an author signing? Kid fans that read your books? Literally picture them in your mind as you write your bio. As we’ve talked about, different platforms will have slightly different audiences. It’s OK to vary them.

Secondly, write it well! Be engaging! If you can’t write a good bio about yourself, can readers trust you can write a good book? Remember that you are your own brand. Your bio needs to reflect who you are, so that when someone reads it, they “get” you. Some great examples of writing in your own voice are here offered by Rocket Expansion. Granted, those are mainly jacket flap bios, but you get the idea. This bio isn’t for jacket flap, which has an even more centralized audience—potential and current reader/buyer. First work on your webpage since it’ll be the longest. Adapt accordingly for Insta, Twitter, etc.

Third, don’t sweat wordcount. It can be as simple as a paragraph. Don’t bore anyone by cramming in too much information no one needs. (You’ll have stricter parameters on most of the other platforms.)

Lastly, don’t forget a CALL TO ACTION! More on that below.

On websites, I’ve always appreciated the almost-all-encompassing two or three sentence bio, followed by a few paragraphs of more-detail-that-isn’t-crucial-but-is-nice-to-have. That way, if your reader only has a few seconds, they can get enough from those first few sentences. It’s something they can cut and paste if they need to introduce you. To nail down the super short “elevator pitch” of your bio, check out Scribe Media (scroll about halfway down to Template heading). 

OK, let’s get down to it. What should you include on your bio page?

YOUR HISTORY

  • Where you’re from, and where you live now. I like to keep this generic, as in “from NY, now live in CA” as I honestly don’t think it’s anyone’s business what town or exact city I live in. Plus, with cybersecurity issues, you don’t want to give out too much info on yourself. But if you have an unusual city name, like Boring, OR – please keep it! Have some fun with it.
  • Personal info but IMHO only AS IT PERTAINS TO YOUR WRITING such as if you write about the environment and you have a biology degree. Or, say, if you mainly write male characters b/c you are a mom of four boys, talk about how they influence story ideas or creative work hours.
  • Toss in some “PERSONAL TAGS” like something you’d call out on a main character to show their personality or make them memorable. Do you love Orange Crush? Root only for the Mets? Enjoy fly fishing? Hate the Oxford comma? Show readers what makes you uniquely you. Be relatable!
  • Recognition or awards you’ve received. Go ahead and toot your own horn! But no need to be a jerk about it. “I was excited to win the MOMMA 2022 Book of the Year” is different than “I beat out 200 other mostly-lame entries to capture the coveted award that most other authors only dream about” which makes you sound like a poo-poo-head. Be specific, spell out all acronyms, and give dates/years (unless it’s over 8ish years ago as then it’s old news so don’t give the year). Bonus points if you can toss in a few kid-friendly things like “baton champ of 5th grade” or “voted worst penmanship in 12th grade.” Remember that note about being relatable?

YOUR NOW

  • Books published. If none, don’t say you’re unpublished. Consider saying something descriptive like you have “a middle-grade novel for shy girls in the works.” Find tips for unpublished writers from Gatekeeper Press here.
  • Your main age level and genre. For example, although I have CB and MG manuscripts that I’m working on, I am mainly a PB fiction writer, so that’s what I talk about. If I get published in the other age ranges, I’ll talk more about them. If you say you “write for all ages” then it looks like you’re unfocused. It’s more impressive to be specialized.
  • ALL your current social media handles WITH LINKS. (If you haven’t updated Pinterest since 2006, say, don’t include it.)

YOUR PHOTO(S)

  • Headshot that’s within the last 5 years please! NOTE: HEADSHOTS ARE TOMORROWS TOPIC so no excuses for an outdate selfie.
  • People love pets so feel free to also add a few of those.
  • Book covers! Add all of ‘em.  Feel free to have the pic linked to an indy book store where the book can be purchased—but do NOT say anything about buying the books. Simply have the linked book cover images.

YOUR CALL TO ACTION

  • Don’t miss the opportunity to ask people to leave a comment, sign up for your mailing list, click on a link to your blog or recent recorded interview, follow you on social media (with links), etc. Do NOT have the call to action be a sales pitch. No one likes that. It ruins the great impression you’ve just created.

Did we miss anything? Let me know if you have crucial info you think has to be included.

Once you hone your revised bio, make sure you update your bio’s main points on all your social media accounts. They don’t have to be exact; as mentioned, most people have slightly different personalities on each platform. But make sure they sync up and make sure they are all current.

Recap: Update and rework your bio(s!) as needed. Make sure each social media service you use has a bio that fits the audience (adapt your new one accordingly).

Happy multi bio-ing!

31 Day Author Platform Challenge Day 7: Headshots

Posted in 31 day author platform challenge, Writer's Platform, Writing Children's Books by

[Before we start, have you followed 10 new people yet?]

Smile for your close up!

Broadway-like lights surrounding mirror of a makeup table

Day Seven of the 31 Day Author Platform Challenge is upon us. We’ve looked at our home page and bio. Now it’s time for…Headshots! (I bet most of you are clenching. Relax. You look better than you think you do. And today’s filters will ensure it!)

My first question to you how recent is the headshot you have on your website and/or the ones you use for social media platforms?

If it’s more than 10 years old, no matter how good it is, it’s time for a change. You can keep and still post that pic, but today is the day you’re going to add a new one that will be your MAIN headshot.

Since I’m not a photographer, I feel it’s best to let some experts give you advice. Some links are below. Common advice across the board is:

  • Be yourself! Let your “youness” shine through. Readers want to know YOU, not a fake version—and they can tell! Your audience needs to know they can trust you.
  • Don’t wear any busy patterns, or excess make-up or jewelry, as they detract from your sweet face, which is what people want to see.
  • Lighting is more important than you think! (It’s really the shadows that can be unflattering).
  • I have a personal aversion to the stoic arm-crossed and other-hand-on-the-face pose. It’s unnatural. No one walks around like that. I beg you to keep your hands at your side, or be holding a book, pen, etc. Unless it’s candid or silly, please don’t be touching your face.
  • Hairstyles change so fast that a hip cut today can quickly date your pic even before your book comes out. Try to avoid anything overly trendy.
  • Odds are you don’t need to hire a pro; cell phones today do an amazing job and even have good editing tools and filters. But a pro will make you look AMAZING and could be worth every penny. Make sure you get a reliable referral, you get a certain number of chances to get a pose you like, that you own the rights, and do the courtesy of crediting them whenever the photo is used. I once had a photographer who came recommended and showed up with backgrounds and cool equipment. She said the top images would come edited, but at the end of the shoot all she gave me was a file with all the raw shots; none of them were edited, and they were all crap. I didn’t know until I got home and opened the file; no calls were returned from then on. So…make sure there is a clause for what happens when you’re unhappy with the final image(s).

Here are some links to more expert tips:

  • Penguin Random House has suggestions to research what other authors in your genre have done.
  • Scribe Media offers examples of good and bad headshots.
  • Site Arcade has even more examples as well as a discussion on backgrounds.
  • Pinterest shows an array of kidlit author examples.
  • Splento.com discusses different kinds of shots used for different purposes.
  • City Headshots specifically talks to actors but does a great job explaining bad headshots and how to do better.

I suggest you spend part of today trying it out on your own. Modern cell phones take amazing photos. Have a kid, neighbor, or friend help. Consider asking for their help on editing as others will see things you don’t.

If you still aren’t thrilled with the results, try again with different outfit, location, lighting, props, etc.

If after a third time it’s still not working, book an appointment with a professional. I bet your local SCBWI chapter will have some contacts or suggestions for you.

IF YOU HONESTLY DON’T NEED A NEW HEADSHOT then your task today is to clean up another website page, the way we cleaned up your home page on Day 5 (go back and look if you need a refresher).

IF YOU DON’T HAVE A WEBSITE AND YOUR HEADSHOT DOESN’T NEED RETAKING, create a cross-platform post that includes your headshot, describing the time you had it made. What was going thru your mind, who was there, what you’d change, etc. Ask other people to share their experiences. Use this as an opp to open up and engage!

Recap: If your headshot is older than 5 years, or if it looks dated or unprofessional, redo it. Today. If you don’t need a headshot, use yours as a conversation starter.

Smile for the camera, now!

31 Day Author Platform Challenge Day 8: #WritersLift Shout-outs

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<NUDGE NUDGE Have you followed 10 new people yet?>

**Don’t make a jpg like this! Use real, clickable #s**

How about a break from all that work we’ve been doing? Oh, we still have a task at hand, but it’s not at the level of the others. And it’s still imperative you complete it! This task is about uplifting others. It will feel so good!

If you haven’t been a part of the #writerslift movement on Twitter, now is your time to join the party.

Think about critique partners, for example. Find the right ones and they are worth their weight in gold, amiright? These gems of fellow writers, who you trust to read your work-in-progress, provide constructive feedback and help you improve your craft. They can act as a sounding board for ideas, catch typos and plot holes, and offer fresh perspectives on your writing. They are not only helpful, but supportive and committed. Aren’t they worthy of celebrating?

If you don’t have CPs at the moment, think about people who have helped you in any way this week or month. There are plenty of people that are helpful! Maybe their mentor texts or inspiring feeds. I mean, there are fellow authors you’ve never met that you can appreciate and connect with, by tagging them with a flattering shout-out, #writerslift post.

Today, Day 8, we are showing fellow authors some (virtual) love.

We’ll do that by giving them a shout-out across all your social media outlets using the hashtag #writerslift. This task is another example of how an automation tool is handy. You only have to post once if you use a scheduler, and it’ll go out to all your outlets at once. (Unless you did like I did and somehow managed to have three different posts go out at the same time, in the middle of the night, even though I was SURE I set them to go out over the course of 10 days. I refuse to believe user error, but I digress.)

Publicly acknowledging people not only shows gratitude, but boosts their profiles and helps to establish them as respected members of the writing community. You know they’d do it for you! In fact, they probably already have.

Make it pretty with a Canva-type app, or make it a simple text post. Your call. While of course it’s honestly the thought that counts, this is one time I suggest a regular post vs creating a graphic. Why? As you can see in the .png I created above, there is no way to tag my CPs in the image, so I have to tag them each all over again in the post–and I have to add the #writerslift tag to the post anyway. WHY DO I MAKE THINGS SO HARD FOR MYSELF lol. Just make a simple post for this.

BTW it’s here that I figured out you can post directly to social media from Canva! Sheesh, all this time on Buffer… But I’m keeping Buffer since it lets me schedule in the future, and Canva makes me upgrade in order to do that, and pay $$ monthly or annually. Even though I can stay at that one site and it makes it super easy, I’m too cheap to do it. I’ll go one at a time on this one.

Some tips for creating feel-good #writerslift shout-outs:

  1. Be specific: Details, baby! Mention your critique partners or friends by their full name and highlight what they’ve done to help you. Did they catch a major plot hole? Publish a PB that inspires you to be a better writer? Support you when no one else thought you could do it? Make sure to give credit where credit is due.
  2. Be generous: Don’t be shy. Offering praise to someone who has helped you means A LOT to them, esp if you’re not the touchy-feely type. It can help build the group’s morale and strengthen the CP relationship. Knowing it had an impact on you can help encourage them to be helpful to others again in the future. And it will warm your own heart at the same time!
  3. Be authentic: Don’t write a generic post just for the sake of giving a shout-out. A list of names is great, but it’s virtual lip service. Write with sincerity and share genuine appreciation. If you can’t be specific to any one piece of feedback for whatever reason, it’s okay to list each person’s handle in one post and thank them for their support over the years or months. The important thing is you are, well, lifting them up in the #writerslift.

You DON’T have to go big or go home

The kidlit industry is FULL of kind-hearted, helpful people like you. Shout-outs like this keeps that supportive feeling alive. Simply saying thanks to one person can make you both feel good!

One great example of an AMAZING week-long show of author love in May, created and run by fellow PB author @SylviaiChen. It’s a (free) weeklong co-celebratory event with prizes that is everything our Day 8 is about: uplifting and recognizing our fellow writers and illustrators! She created her own hashtags and amazingly fun Canva graphics that she posts on Twitter and Insta, and has creatively come up with Like and RT incentives. What an effective and thoughtful way to give mass shout-outs! This goes above and beyond any shout-out Tweet I would have thought up.

Don’t worry, I don’t expect level that from you! She probably worked on that for months. You can take 11 mins 🙂

Recap: Send (several) posts thanking your crit partners and anyone who has helped make you a better writer, and use the #writerslift hashtag. Be specific with the appreciation if you can, and don’t tag too many people in one post.

Share the love!

PS I am thankful for you, cheering me on and helping keep me accountable this month!

31 Day Author Platform Challenge Day 16: Did You See That?

Posted in 31 day author platform challenge, Writer's Platform by

[Hang on–have you followed 10 new people yet?]

Making moves, and movies

young woman in trendy outfit with notepad recording vlog
Photo by Anete Lusina
on Pexels.com

We’ve posted a bunch of things so far, from the comfort of our rooms or office (and probably PJs). Time to up the ante. Studies show videos get far more views and engagement than simple photo posts on social media. According to Forbes in late 2022, social video generates 1200% more shares than text and image content combined. And get this: viewers retain 95% of a watched video message compared to 10% of a text.

“Why the hay haven’t you been encouraging video all along?” you may ask, in a rather aggressive (and unappreciated, quite frankly) tone. Well, I’ll tell ya. We are authors. And almost by definition that means most of us are introverts. Or maybe extroverted introverts. Who else volunteers to lock themselves up in a proverbial cave most of the day to crank out words on a page that will be edited and rewritten 10,000 times? (That’d be us.) I get you. I get us. The very thought of me asking you to create a video may fill you with dread.

But hear me out.

The video doesn’t have to be of you! You don’t have to appear on camera! (some ideas below) You don’t even need sound! You DO need text, though. Studies show 85% of Facebook videos are watched without sound–but 80% of videos WITH sound and/or text get much higher results. People need to know what they are watching, and why. (They also tend to watch in places they aren’t supposed to have their phones, so the volume is off. Captions are very helpful.) Tweets with video are said to get 10x the engagement than a static post!

It’s time to shine, cupcake

As you can see, to maximize the eyeballs on our content, to drive a higher number of RTs, to encourage engagement, to increase our author platform…we need to graduate to video. I have been an actress since the third grade (not to brag but yeah that was me playing the lead bunny in the school play). I am a ham, I seek out the camera in every instance — and yet, I am still dragging my feet on video when it comes to promoting my own work. It feels so personal, right?! I know I just have to rip off the bandaid and get creating. Or recording, as the case may be.

I know once we get started, it will be easier and easier. We just have to make and post that first one. Or that first five.

Instagram makes it super easy to make videos with text and “stickers.” Canva allows taking a template and adding animation which is ALMOST a video, but that won’t count for today. Find yourself an app or service you feel comfortable working with, like Vimeo, YouTube, Visme, ClipChamp, etc. (Please tell me which [free!] ones you like best! I like trying new stuff.)

I mean, don’t we want a 1200% increase in shares? Of course. If we are in control of that, why wouldn’t we go for it? Today we are.

The video can be 5 seconds, 10 seconds, 30 seconds. Animoto reports Instagram videos that are around 26 seconds long receive the most comments. Don’t be thinking your vid has to be two minutes! (Who has time for that, really.)

Worried about how you’ll look on camera? I have a ton of getting-camera-ready tips on this post: https://bitsykemper.com/zoom/.

Some great tips on creating effective content (do you want to explain a new fact? do a tutorial?) is here from later.com, here from eclincher, and there’s a list of ideas from sproutsocial here.

Camera shy?

Let’s say you loathe the idea of being on camera. You can still use video to up your author platform. Here are some ideas of videos (with sound and text!) that will build your brand that DON’T need to have your smiling face.

  • Book Quotes: Use text overlays to display your own, your favorite, or popular book quotes. Zoom in and out while reading the quote. [Or be holding the book as you read, be standing in front of the printed quote that’s on a wall, etc.]
  • Show Your Bookshelves: Give an inside look at your bookshelves while explaining how they made you a better writer (or reader). Ask viewers to share their experiences. [Or be there Vanna-White-ing it.]
  • Create a Book Trailer: iMovie and other apps make this easier than ever. If you have picture books, talk to your illustrators first–they might have ideas and/or equipment.
  • Start a Live ‘Ask Me Anything’ Session: No need to have yourself on camera, just zoom in a whiteboard with those words as you talk over a short script “Time to ask me anything! Write a question in the comments…” [Or of course, you can have cam focused on your pretty face.]
  • Answer Those Anythings: Record yourself answering those Qs while writing on a whiteboard, flipping through pages, waking through the woods, whatever.
  • Recommend Books: Share fun book recommendations, including your own book(s).
My personal brainstorming space

Those are just a few ideas. I can’t wait to hear what you end up doing! Tell me all about it.

Growth Along the Writing Journey

Posted in Writing Children's Books by

As a panelist on the WriteOnCon session “We Were All New Writers Once: Growth on the Journey,” I spent some time reflecting, of course, on my own writing journey.

Photo by Andrea Piacquadio on Pexels.com

Here’s the thing: I honestly never thought I’d be a writer.

My daughter disagrees. She says from what I’ve told her, at every turn I was a writer…from the boxes and boxes of saved handwritten letters (each one means I wrote to them first), to papers I claimed to have loved writing in school (including my dissertation), to comedy & theatre sketches, to the way I somehow always ended up writing at work whether it was news releases or ghostwritten technical papers or business plans. She even mentioned the mock Christmas newsletters I used to send out, like when I claimed she toured Europe in sold-out piano concertos (she was 7) and one son had unlocked the secret to the Dead Sea Scrolls (he was 5) and the other had been banned in the Midwest for his expert ninja skills (he was 3). [I guess I was always creative if nothing else.] Yes, I had stints as on-air and newspaper reporters too, but they came as a result of a corporate job where, to make a long story short, I ended up co-writing a syndicated newspaper column on a fluke.

Photo by Markus Winkler on Pexels.com

Or was it a fluke?

Did I unknowingly will it to happen? Have I always been a writer?

My daughter’s accusation, if you will, really caught me off guard. But OK. Maybe I really have always been a writer even if I didn’t realize it until this week. Maybe it’s that I never thought I’d be an author. But honestly, aren’t they really the same thing?

I realized I have always been drawn to — what…places? work?… — where writing plays a large role. What a great creative outlet! And you’re in control the whole time. Don’t like what you’ve written? Go back and fix it. Get feedback that what you’ve written isn’t right, or good? Well it’s not like math–right or wrong. It’s subjective. So you don’t have to like what I’ve written. I do! It’s the perfect loophole, lol.

Surely that “you can’t tell me it’s wrong” caveat gets tricky when it comes to being published. The other person HAS to like what you’re writing in order to publish it, unless you are self publishing. Even then, there are grammar rules, punctuation, etc. People have to like your writing in order to buy it. It’s not exactly a free-for-all. But as a writer, I am in control of everything! I write when I want. What I want. I certainly take what others say into consideration. I honor proper English and don’t go rogue on spelling or manuscript formatting or query protocol. I have several critique partners that I couldn’t live without. I definitely do my research, attend conferences, and listen to experts. I learn and adapt. I feel I improve a little every day. I don’t do it for anyone else, any more than someone who practices free shots in their driveway over and over does it for any one other than themselves. (Are they trying to impress the neighbors? Get an NBA contract? No. They just want to get better at free throws. They earn a sense of accomplishment, of work well done.)

My daughter had a point. Maybe my journey started before I even knew I was on board, and all that time I spent writing earlier in life helped land me where I am now.

And my journey isn’t over. Far from it.

Maybe your journey started years ago too. Maybe it’s starting right now. No matter when it began, your writing journey can go wherever you want it to! You are in control, my friend.

Your writing is yours. Only you can write what you write, from your perspective, with your voice, with your knowledge base. And so too is your writing journey. Only you can decide where and how to map it out. Only you decide how often you write, how often you edit, how seriously you take professional feedback and direction. It might be up to another person to say yes or no as far as a contract, but its up to you to get your work to the point where they simply can’t say no! Write once in a while? Great. Just don’t expect grand success if you’re not hammering away regularly. Even the best natural writers won’t succeed unless they–wait for it–SIT DOWN AND WRITE.

It takes time. Probably more time that you’re gonna want it to take. Other people will succeed before you. But that’s their journey, not yours. Keep at it. You might not have all the time in the world right now. No one does. It might be really hard to see how to get from point A to point B if you can’t even make it through the day. We’ve all been there! If you can only afford a few hours a week for now, that’s okay. Relish those few hours a week! Work smarter so those 20 minute a day can be even more productive than an open day where “let me just finish this last email” leads to three hours of wasted time. It’s your time, respect it. It doesn’t have to be strictly in front of your computer. Block off time on the calendar and temporarily cut off the internet. Eat lunch alone outside under a tree and speak your notes into your phone. Brainstorm while folding laundry. Find a pen-pal to swap ideas and manuscripts with (note: be upfront with what you are looking for: do you want ongoing positive reinforcement or true honest feedback?)(not that they are mutually exclusive!). Try to do one thing every day to move your path forward, even if it’s one tiny step…but don’t beat yourself up if you miss a day. Or three.

Your journey can only move forward if you’re in motion!

Mainly: take yourself seriously. Allow yourself that daily distraction-free time, even if nothing immediately usable comes of it. Nothing creative is wasted anyway. You’ll reuse it in some form, either by learning from it (finding out it’s not a direction you want the story to go, for example, is great progress!) or from the positivity you just allowed yourself to embrace.

Don’t forget the “journey” part of the writing journey means it’s a process, not a one-time event. The journey might be spotty and frustrating at times, but it will also be rewarding and wonderful. Stick with it, even if it’s just for fun. Not everything we write has to have the ultimate goal of being published. Some of our best writings never have to be read by anyone but ourselves. We can be proud of our work no matter where it sits. The important thing is that we’re writing–present tense.

Never thought you’d BE A WRITER?

You already are.

Photo by Eva Elijas on Pexels.com

YOU’RE NOT A WRITER IF…

Posted in Writing Children's Books, Writing events by

Writers tend to doubt themselves, amiright? “I’m not a real writer if I’m not published yet” or “Sure, I’m published, but compared to so-and-so I wouldn’t really consider myself a writer.” Knock it off. If you write, you’re a writer.

Unless…you’re not.

Photo by Mark Fletcher-Brown on Unsplash

In Feb (2020) I held a “You’re Still a Writer If…” blog event at WriteOnCon. In honor of that event, I’m giving a quick preview list of the opposite…ways you can tell if you are NOT a writer. Hopefully you do not check any of these boxes, my friend.

You’re NOT a writer if…

  • You’ve posted a FANTASTIC blog/tweet/chapter and are waiting to go viral (or be discovered)

Yeah, sorry. No one is going to just happen upon you, discover your brilliance, and offer you a million-dollar book deal. That’s not how it works. Publishing isn’t a passive sport. You need to get off your duff and hit the virtual pavement. You need to find THEM. You need to seek out the best editor or publisher or agent for your work. Chronicle Books, for example, gets over 1,000 kidlit submissions A MONTH. You think those hard-working editors have time to proactively scour the internet looking for a diamond in the rough? If only. You are the captain of your ship, the coach of your team, the driver of your bus, the director of your movie, the beater of your drum. You can’t sit there and wait.

Wanna call yourself a writer? Then don’t just sit there, man. Go out and get ‘em.

.

Let’s say you now submit your story, but you’re not a writer if…

  • You cranked out a story in record time
Time-lapse Photography of Brown Concrete Building

I always say writing a picture book is easy. Writing a good one is hard. There are formulas and formats and industry standards and protocols…things you can only learn by putting in your time.

Can you wake up one morning, never having run a day in your life, and win the Boston Marathon? (Uh, correct answer is No. Nice try, optimists.) Writing is the same way. You have to train: do your homework, hone your craft, edit, rewrite, edit some more. Perfection can be simple, but it’s never easy. Writing crappy stuff doesn’t make you a writer. Not to me at least.

After a talk I gave about how to start writing children’s books, a young man and his lady friend came up to me. Or should I say he swaggered over and she quietly followed. He proudly announced he had just written a children’s book, how he had never written one before, and how excited he was about it. His lady friend was duly impressed. I congratulated him. He told me he knew it was good because it took him “only about three minutes.” I tilted my head, paused, and said something about how that’s a great start and encouraged him to consider spending some more time on it, maybe joining a critique group and getting feedback before going any further. He shook his head and waved his hand at me as he said “No need,” and proceeded to tell me because it came to him “just like that” <with a snap of the fingers>, that meant it was good. Finished.

Now you have to understand, in the hour-long presentation he had just attended, I talked about reading 100 (current) children’s books to get a feel for the industry, how you still need a solid plot, the importance of word choices and word count, to set aside your first few drafts for a few weeks, etc. But this guy here, having perhaps (I’m guessing) read his last children book 13 years ago when he was five, was convinced he wrote The Next Great Picture Book in three minutes.

I wished him well, and he swaggered off into the proverbial sunset.

I am sure he was well intended.

He was not a writer, though. He was a poser.

.

Let’s say you now take time to edit, but you’re not a writer if…

  • You listen too hard to other people

Heck, maybe that person is me. I never saw that guy’s manuscript, maybe it IS genius. <insert shrug emoji lol> Writing is subjective, sure. What works for you might not work for me or someone else. Just because I don’t read magical realism, for example, doesn’t mean there isn’t value in it. But you’d be best off getting a critique partner that knows (and likes) the genre rather than someone unfamiliar with it.

giving feedback
image from unsplash

There are certain aspects and styles and formats and rules that we all need to follow to some degree, though. I always say follow the rules the first time, and once you’re “in,” break all the rules you want. Even that advice might not work for you. Remember when I said you’re the captain of your ship, the driver of your own bus, etc? You still need to be in charge of your own writing and editing. It’s yours!

OF COURSE other people’s opinion’s matter—that’s how books are sold (how any product is, really—people need to like or want it). You need to listen to the right people. I know, I know, that’s the tricky part—figuring out whose advice can best steer you in the right direction. It’s been said that a critic suggested F. Scott Fitzgerald “get rid of that Gatsby character,” and we’ve all heard how many times the Harry Potter series was rejected because it was too long, not kid friendly, considered not commercial enough, blah blah. Clearly those writers knew well enough to toss those kernels of advice. When you ask for feedback, such as at critique groups or a paid conference critique, please keep an open mind when people give you feedback, especially in the beginning, and consider what other people have to say; I’m not saying to toss all of it. (I do listen to unsolicited advice from well-intended friends that aren’t in the industry, because almost all readers are potential buyers and they might actually be my target audience one day, but just like taking parenting advice from someone that’s never had kids? Please.) The longer you’re in the industry, the better you get at discerning valid feedback (“Wow, I never thought of that, thanks!) vs opinions that are not in line with your vision (“Gee thanks, I’ll try to keep that in mind…”).

But if you listen too much and change TOO MUCH (your style or genre or main character’s motivation or whatever), then you’re not a writer. You’re a robot.

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Let’s say you now have a solid story, but you’re not a writer if…

  • You don’t read

Read, read, and read some more. It’s not about knowing what your competition is up to (they aren’t your competition anyway, this industry honestly isn’t like that, they are your colleagues). It’s staying on top of what’s trending, what to avoid, and knowing who is who. You’re educating yourself on the book industry overall, the one you plan to play a large role in some day. Don’t you want to know what’s going on? You gotta stay educated.

Reading can give you inspiration. It can offer effective roadmaps that you don’t have to (re)create from scratch. It shows you tricks like layering or effective use of metaphors or good old distractions that allow for a spectacular twist ending. I mean, you can read a How to Write a Mystery manual, but there’s no better teaching method than reading an actual mystery that’s well done and watching it unfold before your own cute little eyes. Can you imagine taking your driver’s test having only read the DMV manual, without ever being in a moving vehicle or having seen a car? [Wait, in that case I’m saying you can’t just read a book and then do it but I think you see what I’m saying…] You have to experience it, not just hear someone tell you about it.

You can’t be a writer without being a reader.

“If you want to be a writer, you must do two things above all others: read a lot and write a lot.”

Stephen King

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Let’s say you now read lots, but you’re not a writer if…

  • You don’t write

“Writer” is a verb, not just a title.

Stop making excuses! Taking a break is fine, but breaks have end points. Stop spending so much time finessing your bio about how you’re writer that you’ve left no time to actually write. Stop surfing social media. [Seriously. Give yourself a window, and ONLY check in at those times. I try to check in midmorning, AFTER I’ve done some work, and later in the afternoon. Sometimes at night too, but never late b/c it tends to agitate me and disrupt my sleep (there’s so many distractions!).]

Yas needs ta write to be a writer! If you’ve stopped, start again. If you are just getting started and are frozen in fear, dude get over it. Start writing. Anything. Outlines. Summaries. Notes. Story ideas. Character names. Backstory. A list of potential future titles (I have a friend that has written TWO books after a cool title popped into her head). Anything that will get your pen to paper or fingertips to keyboard. You don’t need an arbitrary daily word count or daily number of minutes/hours toiling at your desk; not every successful writer has them. You don’t need to write every single day; not every successful writer does. You don’t need to feel like writing; not every successful writer is magically inspired at every given moment. But you know what all successful writers have in common?

They write.

I can’t believe I have to say this…but you’re not a writer if you don’t write.

End of story.

Are ya with me? What you need to do RIGHT NOW is stop reading this, and get back to work.

You’re a writer, afterall.

[Don’t forget to pop into WriteOnCon at some point (any point really), the best bargain in the business, starting at $15 for access to all blogs, keynotes, Q&A, and live workshops like the HOW TO MARKET YOURSELF BEFORE YOUR BOOK EVEN COMES OUT live workshop I also gave. #shamelessplug]

What are you doing still reading? Get back to writing!

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